15分钟墙上的剪报交待了故事背景:“中美海军太平洋冲突”“六十年的战争终于临近尾声”还有写在星条旗上的“there ain't no yellow in the red,white and blue”这当然可以看做基于当下的预言“华裔”而非模糊的“亚裔”身份也就成为必要对真实Yang的拼凑《春天的杜鹃电影》不仅仅停留在传统的对他者的接纳认同更是视角(西方/人类)的全然反转恰好构成对《佐藤爱微博》一类科幻片的反叛
She suffered so much and u can easily tell that she truly understood pain and beauty. That is the exact reason why the passion, the intensity, and the vulnerability in her voice r so beautiful. When she sang, when she played, she was free.
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